Wednesday, July 27, 2011
Melbourne Deepcast charts Kolour on Juno
Be sure to check out their profile on us by clicking here!
UT 011 - Kitano "The Early Bird" EP out now!
We're delighted to announce that our next Undertones release, courtesy of Melbourne's Kitano, is now available on vinyl from the good folks over at Juno Records. The EP is getting big support from Lewie Day, Nacho Marco, Roberto Rodriguez, OOFT!, Iron Curtis, Jef K, and more!
Get your copy from Juno by clicking here!
Check out the samples below on the Juno Player!
Monday, July 25, 2011
Kolour LTD 007 - Sneak Peak!
With a handful of LTD006 copies remaining, time to hit you with a sneak peak of our next piece of LTD business. The "I Love You .. But I've Chosen Disco" EP features tunes by Zoo Look, Deadly Sins, The Glue, & 78 Edits and is chalked full of good times and good vibes. COMING YOUR WAY SOON!
If you want to get an email from Juno when it's available, click here!
KolourLTD007 - I Love You .. But I've Chosen Disco EP by KolourRecordings
Wednesday, July 20, 2011
Exclusive Interview: Iron Curtis
Iron Curtis has a brand new EP out today on Kolour Recordings called the "Goma" EP and to celebrate it's release we bring you a Kolour Blog Exclusive Interview with the man himself! Some insightful answers on a variety of topics that we hope you'll enjoy!
The "Goma" EP is available now!
There are many different reasons people get into making music, what was it about music that made you want to make your own?
I guess it was just sort of a natural process. I grew up surrounded by music as both of my parents were passionate music lovers. I was always fascinated by so many different kinds of genres, artists and sounds. I wanted to play an instrument, so I started with piano classes, bought my turntables, tried out tape recordings, and was playing in bands besides working with synthesizers and software trying to create something on my own.
Your music has been described as a blend of Deep House and Soulful Techno, do you think that’s accurate these days?
I think it is, somehow. Speaking in categories is always something quite difficult. I think my music is best described as House. But as I fancy stripped down, slowmo disco as well as crafted bass heavy dub techno or soulful, melancholic house, it is always a bit weird for me to be just named a deep house artist.
You were recently out here in The States for some gigs, how did that tour go and did you enjoy your time here?
I had a blast! I never thought that this would ever happen to me. Being able to go to Detroit, San Francisco or Chicago just because of my music. So overall it was quite overwhelming. I met so many great people, made new friends and spent some great time in interesting and musically inspiring cities. And I had the best deep-fried-pizza of my life in Chicago!
The two tracks on the Goma EP are pretty different from one another; yet keep to that consistent Iron Curtis vibe. Was that a conscious decision to show the range in your music or was it something that just came naturally?
I'm really happy that Mike and Justin picked these two tracks. They are quite different from one another indeed, but somehow they show a bit of the range of what I’m into.
Both San Soda and Mano Le Tough got their hands on these tracks for the remix treatment, we’re you please with the remixes? (Especially since you had already remixed Mano Le Tough for Dirt Crew)
Of course! I was pleased having them doing the remixes for Goma. I'm a huge San Soda fan and I’m really happy that Nicolas had the time to do it. And after remixing Mano's "Let's Love, Baby" on Dirt Crew, I've always wanted him to do a remix for me in return and I'm very happy with how it turned out.
Recently a well know producer told me “It only counts if it’s released on vinyl.” Are you pleased that the vinyl culture is still thriving as you write your chapter in music?
Hell yeah! I'm a vinyl lover and I’m more than happy that I can hold some of my releases in my hands, switch and turn them, seeing the artwork and playing them out on a turntable. But I’m not too dogmatic about the medium itself. For me it's more about the feeling and smell of a brand new 12" or also an old, used one that tells you a story about its life in a record bag. This is something an mp3 will never ever do.
You have also recently contributed your track “That Day” to the third installment of our “We Get By With A Little Help” series for our charity label House Is The Cure. How did you choose that track to donate or was it a track you made specifily for this release?
"That Day" was one of the first tracks I sent out to the Kolour guys. They seemed to like it and as we all wanted to have it released, that HITC sampler was just the right choice. I always wanted to contribute a track to their HITC series as I think it is really good project and quite rare in the times of a lot of labels struggling financially..
With the benefit of hindsight, are there any songs or Eps you’ve made that you now like more (or less) than when they were originally recorded?
I love everything I did so far... I guess I must be a real genius. Haha..
No, to be honest, when I listen to some of the tracks on early releases of mine I think that I would do them a bit differently now. But I think it all belongs to the process of creating music and developing ideas further and growing with what you're doing. And of course I'm my strictest critic anyways.
I’m sure you get this a lot, but as a life long Joy Division fan I have to ask.. is the name Iron Curtis a nod to their lead singer Ian Curtis or just a coincidence?
As a life long Joy Division fan myself I can say it is! Ian Curtis meets the iron curtain is the idea behind the name and in the end I somehow ended up with that foolish play on words.
Do you find it interesting that people who are fans of your music are curious about your life as a music listener? I think it’s interesting myself, what are you listening to these days?
It has always been and still is quite diverse. When it comes to electronic music right now, I'm into genre crossing stuff like young UK hip hop or dubstep producers doing house and techno (David Kennedy aka Maurice Donovan, Joy Orbison, etc.), slomo and wonky hip hop tracks (from guys like Samyian, Dorian Concept or Sam Irl) or longstanding German techno producers like Ada doing singer songwriter stuff now.
Who are some of your all time favorite house producers?
Isolee, Atjazz, Pepe Bradrock, Recloose, Move D, Kerri Chandler, Lowtec, Marcellus Pittman, UR….
What can we look forward to next from Iron Curtis?
I finished a remix for my friend Andi Birkemann forthcoming on the newborn London based Feelharmonic imprint and I'm really excited about my current work on new tracks with my friend and neighbour Baaz and about upcoming Achterbahn D'Amour tracks (a project with my friend Jool aka Edit Piafra).
For more info on Iron Curtis, please visit:
Iron Curtis on:
Interview by Glen. (C) KOLOUR RECORDINGS. Do not steal this article without giving full credit and a link! Thanks!
Join Kolour on Facebook!
KLR019 - Iron Curtis - Goma EP out now!
Tuesday, July 19, 2011
Melbourne Deepcast 044: Kolour Recordings
Melbourne Deepcast 044 Kolour Recordings by Melbourne Deepcast
Here's a link to the feature. In the feature you get a FREE and previous unreleased Chez Damier remix. Thanks so much to the MDC lads Andy and Myles and most of all to everyone out there supporting what we do!
Andy Heart charts Kitano
Be sure to check out the Kolour Recordings feature on the Melbourne Deepcast by clicking right here.
Monday, July 18, 2011
The Melbourne Deepcast features Kolour!
New Session Victim chart includes Kolour
Session Victim has included Norm De Plume's new "The Groove Grocier" EP on their new July chart for Juno Records!
"Vinyl till we die!" - Session Victim. 'Nuff said for me!
To check out their chart, click here!
Saturday, July 16, 2011
Norm De Plume hits #3 on Juno
Atnarko charts HITC on Stompy
If you missed his "Crazy About You" EP for Kolour back in 2008 that features remixes from Milton Jackson, Q-Burns, and Ronan... check it out by clicking here!
Tuesday, July 12, 2011
New Norm De Plume vinyl chart
Saturday, July 9, 2011
New Mike W Juno Chart
Friday, July 8, 2011
Gerd charts Norm De Plume on Juno
To check it out, simply click here!
Sleazy Beats chart Norm on Juno
Sleazy Beats Recordings have a new chart up on Juno with some choice vinyl selections for you to check out. The chart is called "BB Gun Beats" and it includes our brand new Kolour LTD release from Norm De Plume!
Lots of great picks on there, check it out by clicking here!
South West Seven chart
South West Seven, aka Ric McClelland (Scope) and Sean Grieve (S-Groove ) have a new chart on Juno that is choc full of those Disco and Deep House grooves you should go check out. Their July Top 10 Chart for July 2011 features their Kolour LTD release that is a vinyl only release. Other selections on there from Nicolas, Red Rack'Em, and more.
To check it out, just click here.
Wednesday, July 6, 2011
Exclusive Interview: Norm De Plume
To to commemorate the release of Norm De Plume's new release, "The Groove Grocer" EP, on Kolour LTD we are pleased to bring you a special Kolour Blog exclusive interview with Norm!
He shares his thoughts on the new EP, Music, and much more.
Outside the more, perhaps, obvious choices, I love that you site Miles Davis as an artist that had an impact on you. What was it specifically about Miles that spoke to you?
I was lucky enough to take trumpet lessons at school and continued to play when I went to study music at college, so along with Dizzy (Gillespie), Miles and him were my favourite trumpet players. It’s funny though, it’s only now, years later, that I really, properly appreciate what Miles was about and if I had to sum it up in one word I’d say “space”. His sound is as much about space as anything, but he had a great tone too and obviously was hugely innovative in the way that he deconstructed Jazz (and music in general).
As a music fan, I’m curious about your journey in music that lead you to what you’re doing now. Can you tell us a little about the music path that brought you to the Deep House and Disco sounds you’re so passionate about?
I didn’t start DJ’ing until I was studying music at college. I started out playing Funk and Hip Hop and I was learning scratching and turntablism etc. Then a few years later I met some really cool people who I became good friends with when I moved to London and I fell in love with the whole Deep House sound and, as a result, got into Disco by learning about the original disco a lot of these tracks were sampled in the mid to late nineties.
Disco music has been embraced in varying degrees over the last 30 plus years now, yet never seems to be as respected as some argue it should. Do you think Disco music has gotten enough credit for being as influential as it really has?
Er, without meaning to sound negative, no not really. Even though Disco has enjoyed a huge renaissance in the last 5 years or so, the mainstream mindset is still to think of Disco in terms of Saturday Night Fever and Studio 54 etc. Don’t get me wrong, that was part of Disco , but by that point it had become a commercial model to make money and the music was suffering (in my opinion) and unfortunately this is what people remember. To me, what was really influential was not so much the recorded music itself (as amazing as it was), but what DJs like Ron Hardy and Frankie Knuckles did with it in terms of edits. Ron Hardy’s edit of “Let No Man Put Us Asunder” is still the perfect dance floor track. Simple, but completely effective and emotional. To me, it’s pure house music before house music existed.
You started the Plumage imprint as a home for edits, can you tell a little more about your vision behind Plumage?
I wanted to make modern edits of some of my favourite tracks and pay tribute to guys like Ron hardy (etc.) that did it the first time round. To be honest it’s a very personal thing, a vehicle for my own tracks / edits really.
What are your thoughts on the current state of Deep House music? Is it in a good place or what do you see that could steer it in a better direction?
I think there is some amazing music being created and released at the moment, BUT you have to read between the lines and seek it out. On the other hand there is quite a bit of stuff that, in my opinion, is pretty mediocre, but gets massively hyped. I guess it’s always been a little bit like this, but I can’t help thinking that the dreaded internet (!) exacerbates this sort of thing (oh dear, that probably makes me sound very behind the times, but you know what I mean….) I guess it all comes down to taste and as long as there are guys like Jimpster, who are willing to stick by their guns and play really good deep and underground house music even though they are established and have a worldwide following, then long may it continue.
Your EP for us on Kolour LTD is a vinyl only EP, what are your thoughts having these songs exclusive to a vinyl releases versus seeing them get out to a wider audience on digital?
Like many people I think I just find the whole digital thing a little “throw away” so to speak. I’m just old fashioned and I like physical product. I would also like people to own and play my tracks because they rate them and like them, instead of it just being something they acquired from a mate that was passed to them willy nilly on a memory stick.
I love the contrast between the two songs on the EP, a slower, chuggy vibe on “Steady Teddy” and that bouncy, disco side to “Tribute To JBW”. When you made these tracks, did you envision them ending up on the same EP or was putting them together the plan the whole time?
Both are edits I’d wanted to make for a long time, but not got round to it, so it was nice to finally nail them. I didn’t intend for them to come out together, but I like to think they sit well together on the same EP. (?)
What did you think of Franc Spangler’s take on “Steady Teddy”?
I love it! It’s deep, but gritty too. Proper Detroit beat down stylee. A great remix!
Can you tell us a little about what your role is over at Delusions Of Grandeur?
I do various jobs, but on the whole it’s administrative. I have experience in the music industry, so I help out a lot with royalties and that type of thing.
What can we look forward to from Norm De Plume?
I will continue to make edits and tracks that I like and think are worthwhile. Hopefully other people out there will feel the same (!). I will try and get PLUMAGE02 out before the end of the year if possible, but I’m not very good at forcing music out or creating on demand, so to speak. I prefer to just create in my own time. I may try my hand at a bit more remixing , depending on who offers. Apart from that, Matt Masters and I are about to start up my night "Wayward" again bi-monthly. You can catch us at The Horse & Groom in London on 30th July. (2011)
More info on Norm De Plume:
Norm is the host of the Delusions Of Granduer Podcast, check it out here.
Norm De Plume on Facebook
Norm De Plume on Soundcloud
Norm De Plume on My Space
Interview by Glen. (C) KOLOUR RECORDINGS. Do not steal this article without giving full credit and a link! Thanks!
Join Kolour on Facebook!
KLRLTD 006 Norm De Plume out now!
Jacques Renault charts HITC
To check out his chart, simply click right here!
Tuesday, July 5, 2011
Roberto Rodriguez charts Alex Agore
Reflections001: KiNK out now on Traxsource!
Jimpster charts Norm De Plume on Juno
Zoo Look charts Alex Agore on Juno
Friday, July 1, 2011
Juno Recommends HITC for July
Juno Records has posted up their Deep House Recommendations for July 2011 and the "We Get By With A Little Help" EP from House Is The Cure was included alongside some really splendid selections. Part 3 includes tracks from Andre Lodemann, Ethyl & Flori, Iron Curtis, and KiNK and has been generation a lot of buzz. Hope you'll check it and all the other choices by clicking right here!
Juno's DJs Most Charted - Deep House - July 2011
Each month Juno Records bring you the most DJ charted releases across all your favorite genres and Kolour was included in this month's Deep House Most Charted chart! The love and support the, now sold out, Fantastic Man EP received has been amazing and we're thrilled to see the "Plastic Fantastic" EP included among all these other releases! To check out the full chart, just click here!
Norm De Plume EP out next week
Right on the heels of our sold out Fantastic Man release, our next Kolour LTD release is from Norm De Plume that features a stunning remix from the mysterious Franc Spangler. Look for it next Wednsday 7/6/11 on limited edition "Plum" colored vinyl! Soundcloud preview here!